Video
Kommikal and Te Wiki o Te Reo Māori
This is a bit of an overdue post, but at the end of July I flew to Christchurch, in the South Island of New Zealand, to meet and film one of my participants, Kommikal. I happened to catch him during Te Wiki o Te Reo Māori, or Māori Language Week. This annual celebration of the Māori language started in 1975, and each year encompasses events all over New Zealand that support the use of Te Reo Māori. Even mainstream media outlets participate, as statements like “What’s next on TV2” were delivered solely in Māori, and New Zealand-made programming like the daily serial Shortland Street featured Māori language content. It’s an amazing achievement for proponents of the Māori language that the week has grown to such prominence, particularly when some older New Zealand residents can remember a time (the early 1900’s) when the Māori language was banned on playgrounds at schools and corporal punishment could be administered to children who disobeyed.
Below are some clips from Kommikal’s performance at the Māori Film and Music Festival held at the University of Canterbury as part of their week of classes, workshops, and celebrations held in the Māori language.
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Mumbai Meri Jaan
Namaste from India, and welcome to my Fulbright mtvU-blog! For the next 9 months, I will live in Mumbai and use this site to post videos, soundbites, photos, interviews, and updates on my project exploring Bollywood culture and its impacts and influences on underprivileged youth in Mumbai. As part of my project, I aim to coordinate with entertainment professionals at Rohit Roy Productions and the youth of the Akanksha Foundation to develop the theatre and drama program of the foundation and to create a Bollywood performance by the youth. My ultimate goal is to produce a documentary of the children’s journey, which will be screened at a fundraising gala that marks the 20th anniversary of the Akanksha foundation’s efforts.
France goes to Hip-Hop International World Championship + Interview with Vicelow
At the end of July, France will be represented for the first time at the Hip-Hop International World Championship in Las Vegas. The three French dance crews to go to the U.S. (categorized by age group: Junior (7-12) Varsity (12-18) and Adult (18+)) were selected at the Hip-Hop International France Championship held at the Casino de Paris this past May. Despite being the first year for the French tournament, all of the competing crews were really strong and the event was a huge success thanks to passionate dancers, a great audience and a lot of hard work put in by the HHIF organizers Jean Pierre Chandler and Sabrina Bouhanik. During the competition, I interviewed J.P. and Sabrina backstage about the challenges of putting together the event and what lessons and opportunities HHIF has to offer young people in France. You can check out a portion of our interview above.
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Video Interview with Nikkfurie of La Caution
Back in April, I interviewed rap artist Nikkfurie (aka Ahmed Mazouz) of the French hip-hop/electro group La Caution. While many Americans might not be familiar with the group’s name, millions have heard the instrumental version of La Caution’s song “Thé à la Menthe” or “Mint Tea” when it was featured in the movie Ocean’s 12. (Think back to the scene with Vincent Cassel’s laser dance.)
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Sanuya
“Sanuya”, written and performed by Modibo “Bastin” Diabate featuring Mah Bara Soumano and Konté B, arranged by Lamine Soumano, produced by Studio Mali, and filmed by Spencer Orey.
“Sanuya” is a song about about cleaning up the trash in Bamako that draws attention to trash and pollution in the city. It’s mostly in Bambara with some French, and it’s around six minutes long. Usually in Bamako I do my best to see through the pollution into the underlying beauty of the city, and trust me, there is a lot there that is beautiful. However, this time, I got to focus directly on trash and make things into a giant chaotic trash party, shooting all but one scene without my tripod while riding around on motorcycles with a big group of rappers in the Bamako neighborhood of Djicoroni Para. Unfortunately, it’s the hot season right now, so it’s nearly 115 degrees F every day, and the light is always incredibly strong, making filming especially difficult. However, with help, we found some dirty places to film: trash piles, burning trash piles, open sewers, meat markets, and more.
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