Hip-hop is a musical genre dominated by men the world over. And so when a woman follows her passion for rap and makes a name for herself, it’s worth paying attention to.
Gennie is not the only female rapper in Mongolia, but she is certainly one of the most resilient and one of the first. Just 25 years old, Gennie has made a name for herself in the Monoglian hip-hop scene. While she has yet to release an album of her own, she has been featured on several of Mongolia’s top rappers’ songs. She is also one of three central characters in the newly finished documentary, ‘Mongolian Bling.’
Hip-hop has been a way for Gennie to express herself throughout her young adult life. “I like hip-hop because it gives me a freedom to express my views through song,” she told me. “When I rap, I feel like I become a different person, someone who is free – unconstructed.”
Gennie started rapping when she was about 12 and recording her songs at 14. She has been steadily performing, writing and recording for the past ten years, unlike many of her female counterparts. “I think the [other] women aren’t very serious, they will quit after recording only one or two songs,” she explained.
It’s difficult for musicians to make a career out of music. Almost all of them (across genres) need a full-time job to support themselves, while they pursue their passion after hours. Gennie, who also has a three year-old son, works as a mechanic adjusting and monitoring water pressure in an apartment complex. She proudly told me that she was the first woman to have this kind of job in Mongolia. “I’m kind of a masculine person,” she said. Gennie takes a quiet pride in breaking gender barriers in Mongolia, doing things most women won’t do.
A charming, unassuming, friendly, eager, bright-eyed, animated, and considerate person, Gennie breaks stereotypes across the board. When I first met her, it was hard for me to imagine the petite woman making her way in the hip-hop world. But when she raps, Gennie channels her effervescent energy into her words and beats with the calm confidence of a true performer.
Gennie takes her songs as seriously as her commitment to her craft. While other Mongolian rappers are focusing on wealth, cars, women and musical rivalries, Gennie is using her microphone to draw attention to social issues particularly pertaining to nature, the needy, and women. One song, titled ‘Woman’, she’s been developing for the past several years highlights the difficulties many women face in Ulaanbaatar. “It’s not meant to criticize or praise,” she says, “but just shine a light on the reality.”
In ‘Women’, Gennie profiles three archetypes over three verses: a middle-aged woman in an abusive relationship, a teenager who is eager to grow up and is taken advantage of by older men, and a young human trafficking victim. These sorts of issues are rarely discussed in Ulaanbaatar, and Gennie hopes to use her music to bring attention to what she says are common problems.
But hip-hop has also helped Gennie reach beyond Mongolia. She says that she learned English by listening to Eminem. She wanted to understand the songs and so she downloaded the lyrics, translated them and would sing them over and over. “By loving something, I allowed it to influence me in many ways.” Hip-hop also helped Gennie travel abroad. In 2010 she was invited to participate in an international hip-hop festival in France where she met musicians from around the globe who were all eager to share their own styles and learn from each other. While words and language are crucial in rap, Gennie says she was able to get a lot out of the exchange despite the language barrier.
Likewise, her influence has been a mix of Mongolian and foreign (mostly American) rap. She particularly admires Eminem and Dain ba Enkh (War and Peace), one of Mongolia’s first hip-hop groups. She says she particularly likes Dain ba Enkh because they use words from a famous Mongolian poet, Choinyam, “who is really in touch with reality and real life situations.”
What is ‘Mongol Rap’?
Most Mongolian hip-hop, especially early on, is based on the American style. Rappers were exposed to artists like Snoop Dogg, Dr. Dre, Wu-Tang Clan, and Eminem in the late 1990’s when the genre was still in its infancy in Mongolia. Aside from mimicking the style, many of the rappers in the early stages also lifted beats and tunes directly from foreign songs, a practice that was common across genres during that period in Mongolia.
But now, Gennie says, that is all changing. There’s an on-going discussion about how Mongolian rap (‘Mongol Rap’) should develop. There are some musical differences between the Mongolian and American styles. The singing style and flow is different as is the rhyming pattern. Traditional Mongolian poetry uses the beginning of words and lines to rap, rather than the end. That’s carried over into rap. Some musicians even rhyme both the beginning and end of lines.
But the question of what defines Mongol Rap remains. Do artists need to include traditional Mongolian instruments or tunes? Should they only rap about Mongolian issues? Or is Mongol Rap anything that is made by Mongolian rappers? It seems Gennie believes, at least in part, the latter. “I am Mongolian, so what I create will be Mongol Rap.”
As more beat makers and composers enter the industry, experimentation and authenticity are expanding. I asked Gennie what her hope for Mongol Rap is. She explained that she would like to see it continue to develop into something new and unique. “In 10 years, I hope that we would be recognized at least in Asia”.
Gennie is doing her part to make that happen. Her dedication and passion which have helped shape Mongol Rap over the years will undoubtedly continue to enhance the genre. When I asked Gennie what she finds challenging about her craft, she said, “It’s always difficult to make things. But there is a Mongolian proverb which says, ‘If a person makes an effort, then their fate will also make an effort.’ If you follow your passion and create something, the way will be more open.”